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Archiv zum Thema Kanada
Review: COME TRUE (2020)
Review: VIOLATION (2020)
Review: POSSESSOR (2020)
Review: RAUM (2015)
Review: PSYCHO GOREMAN (2020)
Review: DARK JUSTICE (2018)
Review: RUN (2020)
Review: THE PROFANE EXHIBIT (2013)
Review: GRETEL & HÄNSEL (2019)
Review: LIFECHANGER-DIE GESTALTWANDLER (2018)
Review: THE OAK ROOM (2020)
Review: SPLICE (2009)
Review: FOR THE SAKE OF VICIOUS (2020)
Review: SLAXX (2020)
Review: SINISTER (2012)
Review: BRAHMS: THE BOY 2 (2020)
Review: THE LODGE (2019)
Review: COME TO DADDY (2019)
Review: UNDERWATER – ES IST ERWACHT (2020)
Review: DOCTOR SLEEPS ERWACHEN
Review: LOCKE & KEY (Serie) (2020)
Review: READY OR NOT? (2019)
Review: FREAKS – SIE SEHEN AUS WIE WIR (2018)
Review: DIE STOCKHOLM STORY – GELIEBTE GEISEL (2019)
Review: CHILD’S PLAY (2019)
Review: RABID (2019)
Review: SCARY STORIES TO TELL IN THE DARK (2019)
Classic-Review: ANGEL HEART (1987)
Review: IM HOHEN GRAS (2019)
Review: TODESENGEL – THE HEXECUTIONERS (2015)
Review: ES: KAPITEL 2 (2019)
Review: THE EVIL IN US (2016)
Review: DRAGGED ACROSS CONCRETE (2018)
Review: RED ISLAND (2018)
Review: THE PRODIGY (2019)
Review: LEVEL 16 (2018)
Review: THE TRENCH – DAS GRAUEN IN BUNKER 11 (2017)
Review: EXTREMITY (2018)
Review: OPERATION: OVERLORD (2018)
Review: THE HOLLOW CHILD (2017)
Review: LOOK AWAY (2018)
Review: DAS HAUS DER GEHEIMNISVOLLEN UHREN (2018)
Review: POLAROID (2019)
Review: THE HANDMAID‘S TALE – DER REPORT DER MAGD, Staffel 2 (Serie) (2018)
Review: SUMMER OF 84 (2017)
Review: ANTIVIRAL (2012)
Review: WHAT KEEPS YOU ALIVE (2018)
Review: PYEWACKET (2017)
Review: THE MIDNIGHT MAN (2016)
Review: GHOSTLAND (2018)
Review: THE RECALL (2017)
Review: TÖDLICHES VERLANGEN (2017)
Review: BITE (2015)
Review: WISH UPON (2017)
Review: ALIEN: COVENANT (2017)
Review: IN THE DARK (2015)
Review: NIGHT OF SOMETHING STRANGE (2016)
Review: THE EDITOR (2014)
Review: LET HER OUT (2016)
Review: WRONG TRAIL (2016)
Review: THE VOID (2016)
Review: SHUT IN (2016)
Review: GATE – DIE UNTERIRDISCHEN (1987)
Review: RUPTURE (2016)
Review: INTO THE FOREST (2015)
Review: THE WITCH (2015)
Review: REGRESSION (2015)
Review: HORNS (2013)
Review: SLITHER (2006)
Review: HAUNTER (2013)
Review: THE TALL MAN (2012)
Review: 388 ARLETTA AVENUE (2011)
Review: PONTYPOOL (2008)
Review: RED LIGHTS (2012)
Review: WRECKED (2010)
Review: 7 DAYS (2010)
Review: TUCKER & DALE VS. EVIL (2010)
Archiv zum Thema Kanada
Review: COME TRUE (2020)
Review: VIOLATION (2020)
Review: POSSESSOR (2020)
Review: RAUM (2015)
Review: PSYCHO GOREMAN (2020)
Review: DARK JUSTICE (2018)
Review: RUN (2020)
Review: THE PROFANE EXHIBIT (2013)
Review: GRETEL & HÄNSEL (2019)
Review: LIFECHANGER-DIE GESTALTWANDLER (2018)
Review: THE OAK ROOM (2020)
Review: SPLICE (2009)
Review: FOR THE SAKE OF VICIOUS (2020)
Review: SLAXX (2020)
Review: SINISTER (2012)
Review: BRAHMS: THE BOY 2 (2020)
Review: THE LODGE (2019)
Review: COME TO DADDY (2019)
Review: UNDERWATER – ES IST ERWACHT (2020)
Review: DOCTOR SLEEPS ERWACHEN
Review: LOCKE & KEY (Serie) (2020)
Review: READY OR NOT? (2019)
Review: FREAKS – SIE SEHEN AUS WIE WIR (2018)
Review: DIE STOCKHOLM STORY – GELIEBTE GEISEL (2019)
Review: CHILD’S PLAY (2019)
Review: RABID (2019)
Review: SCARY STORIES TO TELL IN THE DARK (2019)
Classic-Review: ANGEL HEART (1987)
Review: IM HOHEN GRAS (2019)
Review: TODESENGEL – THE HEXECUTIONERS (2015)
Review: ES: KAPITEL 2 (2019)
Review: THE EVIL IN US (2016)
Review: DRAGGED ACROSS CONCRETE (2018)
Review: RED ISLAND (2018)
Review: THE PRODIGY (2019)
Review: LEVEL 16 (2018)
Review: THE TRENCH – DAS GRAUEN IN BUNKER 11 (2017)
Review: EXTREMITY (2018)
Review: OPERATION: OVERLORD (2018)
Review: THE HOLLOW CHILD (2017)
Review: LOOK AWAY (2018)
Review: DAS HAUS DER GEHEIMNISVOLLEN UHREN (2018)
Review: POLAROID (2019)
Review: THE HANDMAID‘S TALE – DER REPORT DER MAGD, Staffel 2 (Serie) (2018)
Review: SUMMER OF 84 (2017)
Review: ANTIVIRAL (2012)
Review: WHAT KEEPS YOU ALIVE (2018)
Review: PYEWACKET (2017)
Review: THE MIDNIGHT MAN (2016)
Review: GHOSTLAND (2018)
Review: THE RECALL (2017)
Review: TÖDLICHES VERLANGEN (2017)
Review: BITE (2015)
Review: WISH UPON (2017)
Review: ALIEN: COVENANT (2017)
Review: IN THE DARK (2015)
Review: NIGHT OF SOMETHING STRANGE (2016)
Review: THE EDITOR (2014)
Review: LET HER OUT (2016)
Review: WRONG TRAIL (2016)
Review: THE VOID (2016)
Review: SHUT IN (2016)
Review: GATE – DIE UNTERIRDISCHEN (1987)
Review: RUPTURE (2016)
Review: INTO THE FOREST (2015)
Review: THE WITCH (2015)
Review: REGRESSION (2015)
Review: HORNS (2013)
Review: SLITHER (2006)
Review: HAUNTER (2013)
Review: THE TALL MAN (2012)
Review: 388 ARLETTA AVENUE (2011)
Review: PONTYPOOL (2008)
Review: RED LIGHTS (2012)
Review: WRECKED (2010)
Review: 7 DAYS (2010)
Review: TUCKER & DALE VS. EVIL (2010)
Archiv zum Thema Kanada
Review: COME TRUE (2020)
Review: VIOLATION (2020)
Review: POSSESSOR (2020)
Review: RAUM (2015)
Review: PSYCHO GOREMAN (2020)
Review: DARK JUSTICE (2018)
Review: RUN (2020)
Review: THE PROFANE EXHIBIT (2013)
Review: GRETEL & HÄNSEL (2019)
Review: LIFECHANGER-DIE GESTALTWANDLER (2018)
Review: THE OAK ROOM (2020)
Review: SPLICE (2009)
Review: FOR THE SAKE OF VICIOUS (2020)
Review: SLAXX (2020)
Review: SINISTER (2012)
Review: BRAHMS: THE BOY 2 (2020)
Review: THE LODGE (2019)
Review: COME TO DADDY (2019)
Review: UNDERWATER – ES IST ERWACHT (2020)
Review: DOCTOR SLEEPS ERWACHEN
Review: LOCKE & KEY (Serie) (2020)
Review: READY OR NOT? (2019)
Review: FREAKS – SIE SEHEN AUS WIE WIR (2018)
Review: DIE STOCKHOLM STORY – GELIEBTE GEISEL (2019)
Review: CHILD’S PLAY (2019)
Review: RABID (2019)
Review: SCARY STORIES TO TELL IN THE DARK (2019)
Classic-Review: ANGEL HEART (1987)
Review: IM HOHEN GRAS (2019)
Review: TODESENGEL – THE HEXECUTIONERS (2015)
Review: ES: KAPITEL 2 (2019)
Review: THE EVIL IN US (2016)
Review: DRAGGED ACROSS CONCRETE (2018)
Review: RED ISLAND (2018)
Review: THE PRODIGY (2019)
Review: LEVEL 16 (2018)
Review: THE TRENCH – DAS GRAUEN IN BUNKER 11 (2017)
Review: EXTREMITY (2018)
Review: OPERATION: OVERLORD (2018)
Review: THE HOLLOW CHILD (2017)
Review: LOOK AWAY (2018)
Review: DAS HAUS DER GEHEIMNISVOLLEN UHREN (2018)
Review: POLAROID (2019)
Review: THE HANDMAID‘S TALE – DER REPORT DER MAGD, Staffel 2 (Serie) (2018)
Review: SUMMER OF 84 (2017)
Review: ANTIVIRAL (2012)
Review: WHAT KEEPS YOU ALIVE (2018)
Review: PYEWACKET (2017)
Review: THE MIDNIGHT MAN (2016)
Review: GHOSTLAND (2018)
Review: THE RECALL (2017)
Review: TÖDLICHES VERLANGEN (2017)
Review: BITE (2015)
Review: WISH UPON (2017)
Review: ALIEN: COVENANT (2017)
Review: IN THE DARK (2015)
Review: NIGHT OF SOMETHING STRANGE (2016)
Review: THE EDITOR (2014)
Review: LET HER OUT (2016)
Review: WRONG TRAIL (2016)
Review: THE VOID (2016)
Review: SHUT IN (2016)
Review: GATE – DIE UNTERIRDISCHEN (1987)
Review: RUPTURE (2016)
Review: INTO THE FOREST (2015)
Review: THE WITCH (2015)
Review: REGRESSION (2015)
Review: HORNS (2013)
Review: SLITHER (2006)
Review: HAUNTER (2013)
Review: THE TALL MAN (2012)
Review: 388 ARLETTA AVENUE (2011)
Review: PONTYPOOL (2008)
Review: RED LIGHTS (2012)
Review: WRECKED (2010)
Review: 7 DAYS (2010)
Review: TUCKER & DALE VS. EVIL (2010)
Archiv zum Thema Kanada
Review: COME TRUE (2020)
Review: VIOLATION (2020)
Review: POSSESSOR (2020)
Review: RAUM (2015)
Review: PSYCHO GOREMAN (2020)
Review: DARK JUSTICE (2018)
Review: RUN (2020)
Review: THE PROFANE EXHIBIT (2013)
Review: GRETEL & HÄNSEL (2019)
Review: LIFECHANGER-DIE GESTALTWANDLER (2018)
Review: THE OAK ROOM (2020)
Review: SPLICE (2009)
Review: FOR THE SAKE OF VICIOUS (2020)
Review: SLAXX (2020)
Review: SINISTER (2012)
Review: BRAHMS: THE BOY 2 (2020)
Review: THE LODGE (2019)
Review: COME TO DADDY (2019)
Review: UNDERWATER – ES IST ERWACHT (2020)
Review: DOCTOR SLEEPS ERWACHEN
Review: LOCKE & KEY (Serie) (2020)
Review: READY OR NOT? (2019)
Review: FREAKS – SIE SEHEN AUS WIE WIR (2018)
Review: DIE STOCKHOLM STORY – GELIEBTE GEISEL (2019)
Review: CHILD’S PLAY (2019)
Review: RABID (2019)
Review: SCARY STORIES TO TELL IN THE DARK (2019)
Classic-Review: ANGEL HEART (1987)
Review: IM HOHEN GRAS (2019)
Review: TODESENGEL – THE HEXECUTIONERS (2015)
Review: ES: KAPITEL 2 (2019)
Review: THE EVIL IN US (2016)
Review: DRAGGED ACROSS CONCRETE (2018)
Review: RED ISLAND (2018)
Review: THE PRODIGY (2019)
Review: LEVEL 16 (2018)
Review: THE TRENCH – DAS GRAUEN IN BUNKER 11 (2017)
Review: EXTREMITY (2018)
Review: OPERATION: OVERLORD (2018)
Review: THE HOLLOW CHILD (2017)
Review: LOOK AWAY (2018)
Review: DAS HAUS DER GEHEIMNISVOLLEN UHREN (2018)
Review: POLAROID (2019)
Review: THE HANDMAID‘S TALE – DER REPORT DER MAGD, Staffel 2 (Serie) (2018)
Review: SUMMER OF 84 (2017)
Review: ANTIVIRAL (2012)
Review: WHAT KEEPS YOU ALIVE (2018)
Review: PYEWACKET (2017)
Review: THE MIDNIGHT MAN (2016)
Review: GHOSTLAND (2018)
Review: THE RECALL (2017)
Review: TÖDLICHES VERLANGEN (2017)
Review: BITE (2015)
Review: WISH UPON (2017)
Review: ALIEN: COVENANT (2017)
Review: IN THE DARK (2015)
Review: NIGHT OF SOMETHING STRANGE (2016)
Review: THE EDITOR (2014)
Review: LET HER OUT (2016)
Review: WRONG TRAIL (2016)
Review: THE VOID (2016)
Review: SHUT IN (2016)
Review: GATE – DIE UNTERIRDISCHEN (1987)
Review: RUPTURE (2016)
Review: INTO THE FOREST (2015)
Review: THE WITCH (2015)
Review: REGRESSION (2015)
Review: HORNS (2013)
Review: SLITHER (2006)
Review: HAUNTER (2013)
Review: THE TALL MAN (2012)
Review: 388 ARLETTA AVENUE (2011)
Review: PONTYPOOL (2008)
Review: RED LIGHTS (2012)
Review: WRECKED (2010)
Review: 7 DAYS (2010)
Review: TUCKER & DALE VS. EVIL (2010)
Archiv zum Thema Kanada
Review: COME TRUE (2020)
Review: VIOLATION (2020)
Review: POSSESSOR (2020)
Review: RAUM (2015)
Review: PSYCHO GOREMAN (2020)
Review: DARK JUSTICE (2018)
Review: RUN (2020)
Review: THE PROFANE EXHIBIT (2013)
Review: GRETEL & HÄNSEL (2019)
Review: LIFECHANGER-DIE GESTALTWANDLER (2018)
Review: THE OAK ROOM (2020)
Review: SPLICE (2009)
Review: FOR THE SAKE OF VICIOUS (2020)
Review: SLAXX (2020)
Review: SINISTER (2012)
Review: BRAHMS: THE BOY 2 (2020)
Review: THE LODGE (2019)
Review: COME TO DADDY (2019)
Review: UNDERWATER – ES IST ERWACHT (2020)
Review: DOCTOR SLEEPS ERWACHEN
Review: LOCKE & KEY (Serie) (2020)
Review: READY OR NOT? (2019)
Review: FREAKS – SIE SEHEN AUS WIE WIR (2018)
Review: DIE STOCKHOLM STORY – GELIEBTE GEISEL (2019)
Review: CHILD’S PLAY (2019)
Review: RABID (2019)
Review: SCARY STORIES TO TELL IN THE DARK (2019)
Classic-Review: ANGEL HEART (1987)
Review: IM HOHEN GRAS (2019)
Review: TODESENGEL – THE HEXECUTIONERS (2015)
Review: ES: KAPITEL 2 (2019)
Review: THE EVIL IN US (2016)
Review: DRAGGED ACROSS CONCRETE (2018)
Review: RED ISLAND (2018)
Review: THE PRODIGY (2019)
Review: LEVEL 16 (2018)
Review: THE TRENCH – DAS GRAUEN IN BUNKER 11 (2017)
Review: EXTREMITY (2018)
Review: OPERATION: OVERLORD (2018)
Review: THE HOLLOW CHILD (2017)
Review: LOOK AWAY (2018)
Review: DAS HAUS DER GEHEIMNISVOLLEN UHREN (2018)
Review: POLAROID (2019)
Review: THE HANDMAID‘S TALE – DER REPORT DER MAGD, Staffel 2 (Serie) (2018)
Review: SUMMER OF 84 (2017)
Review: ANTIVIRAL (2012)
Review: WHAT KEEPS YOU ALIVE (2018)
Review: PYEWACKET (2017)
Review: THE MIDNIGHT MAN (2016)
Review: GHOSTLAND (2018)
Review: THE RECALL (2017)
Review: TÖDLICHES VERLANGEN (2017)
Review: BITE (2015)
Review: WISH UPON (2017)
Review: ALIEN: COVENANT (2017)
Review: IN THE DARK (2015)
Review: NIGHT OF SOMETHING STRANGE (2016)
Review: THE EDITOR (2014)
Review: LET HER OUT (2016)
Review: WRONG TRAIL (2016)
Review: THE VOID (2016)
Review: SHUT IN (2016)
Review: GATE – DIE UNTERIRDISCHEN (1987)
Review: RUPTURE (2016)
Review: INTO THE FOREST (2015)
Review: THE WITCH (2015)
Review: REGRESSION (2015)
Review: HORNS (2013)
Review: SLITHER (2006)
Review: HAUNTER (2013)
Review: THE TALL MAN (2012)
Review: 388 ARLETTA AVENUE (2011)
Review: PONTYPOOL (2008)
Review: RED LIGHTS (2012)
Review: WRECKED (2010)
Review: 7 DAYS (2010)
Review: TUCKER & DALE VS. EVIL (2010)
!
News
Review
▼
Reviews nach Alphabet
Reviews nach Datum
Reviews nach Rating
Reviews nach Subgenres
Reviews nach Länder
Die neue Suche!
Specials
Interviews
▼
Interviews
Interviews Original
Lost&Found
Kolumne
Undergrounders
Horror–Lexikon
Kontakt
▼
Das Team
▼
Mick
Madda
Lisa
Nadine
Mela
Linda
Meike
Kontakt
Freunde und Partner
